skip to main | skip to sidebar

k(orea) thurston

Wednesday, February 18, 2009

The figure of 1.2 suicides per day in Busan is probably roughly comparable to the 6.8 per day in Seoul in 2007 once you take population size into account.
Posted by kevin.thurston at 1:34 PM

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)

korea blogs by others

  • The Grand Narrative
    Follow These Two Blogs for Up-to-date Statistics and Commentary on Social Trends in South Korea!
    1 month ago
  • Korea Beat
    What shoes to wear in the summer
    4 years ago
  • Monster Island (actually a peninsula)*
    Hiking the John Muir Trail
    6 years ago
  • Shikow
    OSCAR PEDICTIONS - 2017
    8 years ago
  • dagSeoul
    Remember dagSeoul is alive and well on tumblr
    12 years ago
  • The Belle Plaine Girls: A Little Too Much Self-Esteem
    Vocation vignette
    16 years ago
  • http://rossgardinerlovesme.blogspot.com/
    Cheese, Collies and Coldplay
    16 years ago

Blog Archive

  • ▼  2009 (71)
    • ►  October (2)
    • ►  September (3)
    • ►  August (4)
    • ►  July (11)
    • ►  June (3)
    • ►  May (12)
    • ►  April (6)
    • ►  March (7)
    • ▼  February (15)
      • poem for my ex-wife
      • 4' 33" -- the video game
      • more
      • american folklore film site
      • why i love milwaukee
      • The figure of 1.2 suicides per day in Busan is pro...
      • some of the more
      • The historic slave port is to be transformed throu...
      • some of the paik nam june museum
      • graduation day
      • why i love saint francis
      • shhhh
      • No title
      • helluva month
      • even *more* old work
    • ►  January (8)
  • ►  2008 (48)
    • ►  December (6)
    • ►  November (9)
    • ►  October (13)
    • ►  September (16)
    • ►  August (4)

mac low

"The community made up of the performers is a model of a society that has certain characteristics that I would like to see abound in the wider society: the individual performers exercise initiative and choice at all points during the piece but are also--by listening intensely and responding to all they hear, both other performers' and ambient sounds both within and outside of the performance space -- constructing an aural situation that is not merely a mixture of results of egoic impulses, but an aural construction that has a being of its own."